Showing posts with label Brownsville. Show all posts
Showing posts with label Brownsville. Show all posts

Wednesday, October 6, 2010

Brownsville Latin Jazz Festival


The Brownsville Society for the Performing Arts has announced its 14th Annual Brownsville Latin Jazz Festival, to take place this coming October 7, 8, 9, and 10. Inaugurated by the late great Tito Puente in 1997, the Latin Jazz Festival has become the pride of Brownsville and one of the most anticipated events in the Rio Grande Valley's cultural calendar.

The National Endowment for the Arts has awarded the Festival a generous grant for the third year in a row and the Texas Commission on the Arts has likewise awarded the Brownsville Society of the Performing Arts with a prestigious organizational grant, citing the Festival as "an Admirable event". Both are the largest grants ever awarded by NEA and TCA to any performing arts presenter in the RGV.

Not only will there be four days of incredible performances but the top of the line artists featured at the festival will share their experience at a series of classes and workshops throughout Brownsville.

One of these days I am going to get around to attending some of the fantastic cultural events that take place in the Rio Grande Valley!

For more information on this event contact BSPA at 956-831-9560 or visit them online at www.brolatinjazz.org.

Thursday, June 3, 2010

Texas History Book Featured at Book Signing

Arcadia Publishers, the premiere local history press, has published two titles which are a must for anyone who has an interest in the history of the Rio Grande Valley. Both books are filled with pictures from the archives of several local historical societies and private collections.

Join us at Paragraphs On Padre Boulevard, on Saturday June 12, 2010, for a book signing featuring San Benito and Charro Days in Brownsville, which are both part of the Arcadia Press, Images of America series.

There are two opportunities to meet those involved in publishing these books, first from 1 to 2 PM to have books signed and again, at 6 PM when there will be time for discussing the books, a short reading, and additional time for having books signed.

Refreshments will be provided.

Both sessions are free and open to the public.
No purchase is required to attend.

Book Description for "San Benito":
San Benito was built on the banks of a dry riverbed of the Rio Grande, called a resaca. Long ago, Coahuiltecan Indians made their home here, and Spanish land grant ranches flourished in the 1700s. The arrival of the railroad in 1904 brought a diverse group of pioneers from the Midwest in search of cheap and fertile land. These early settlers, together with descendents of Spanish colonizers, began an agricultural community. During his engineering surveys in 1903 for the proposed railroad connection to the rest of Texas, Sam Robertson realized the potential of the land. He envisioned an irrigation plan that would utilize the resacas to bring water from the Rio Grande and thus make arid ranch land into a garden. It was with this history and this dream that the little town of San Benito was created. San Benito is also home to entertainment--Conjunto Music began here--and it is the hometown of international singing star Freddy Fender and Olympic athlete Bobby Morrow.

Author Bio:
The San Benito Historical Society, founded in 1995, compiled this book with images from townspeople and from its own collection. The mission of the historical society is to chronicle, protect, and preserve the history and cultural heritage of San Benito.

Book Description for "Charro Days in Brownsville"
Brownsville, Texas, was established in 1850 on the banks of the Rio Grande. Every February since 1938, this thriving community of nearly 200,000 has joined its Mexican neighbor, Matamoros, to celebrate their shared cultural heritage. Charro Days burst upon the Rio Grande Valley scene in the depths of the Depression, bringing dances, parades, fireworks, boat races, and a rodeo to a dispirited populace. The celebration achieved instant success, followed by national recognition in magazines, radio, and television. Renowned dance bands and celebrities increased the enjoyment of revelers dressed in Charro costumes. As time passed, Charro Days evolved with the addition of events such as the Mr. Amigo presentation, which recognizes an outstanding Mexican, and the Sombrero Fest, which attracts a large number of attendees with its diverse entertainment.

Author Bio:
Anthony Knopp is an emeritus professor of history at the University of Texas at Brownsville and a former president of the Brownsville Historical Association. Manuel Medrano is also a professor of history at the University of Texas at Brownsville and a recognized expert on Mexican American history and culture. Priscilla Rodriguez is the executive director of the Brownsville Historical Association. Many of the photographs used in this history are from the archives of the Brownsville Historical Association.

Wednesday, September 17, 2008

They Are So Cute, But They Are Not Pets




The following is from The Texas Observer - A Tiger's Tale by Melissa del Bosque. Sometimes I really wonder about the things we as humans do to the animals that share the planet with us. This article was very disturbing to me.

You might think it’s illegal to buy or sell an endangered tiger cub in Texas, but it isn’t. For $500, you can buy an orange Bengal tiger and tie it up in your yard, no questions asked (a white tiger will cost you $5,000). It’s all perfectly legal in Texas.

When state and federal authorities seize exotic animals along the border, they often call Jerry Stones, facilities director at the Gladys Porter Zoo in Brownsville. Because of its proximity to the border, the Brownsville zoo has become a kind of repository for seized animals and plants. With the animal trade booming, Stones has been receiving a lot of calls lately from the U.S. Department of Agriculture, the Drug Enforcement Agency, U.S. Fish and Wildlife, and U.S. Customs asking him to please take an animal off their hands.

“It never stops,” says Stones, sitting behind his desk in a cramped office. He’s a self-described Nebraska farm boy from a “big” town of 6,000 people. He fell in love with the zoo business in his early 20s. In 1970 he left his job at the Omaha zoo to help run the brand new Gladys Porter Zoo, built and stocked with animals by Gladys Porter, an heiress to the J.C. Penney fortune. The 31-acre zoological and botanical park in downtown Brownsville has received everything from seized eastern gray kangaroos to rednecked wallabies to African lions (it currently has two). And six tigers. The influx of tigers has become overwhelming.

“I am about tigered out,” Stones says. “We have more than reached our tiger limit here at the Gladys Porter Zoo.” But he did find room for a certain set of six tiger cubs recently seized in McAllen.

Stones takes me to see a bobcat named Bodie recently brought to the zoo by South Padre Island Animal Control. The bobcat was purchased as a cub by a private owner, who had it declawed, neutered, and its canines filed down. When we arrive at the medical facility, Thomas deMaar, the zoo’s senior veterinarian, is checking on Bodie. “Basically this cat is a living pelt that can no longer defend itself,” deMaar says.

The bobcat’s owner used to drive around with the animal in the front seat of his Lamborghini. Then the bobcat reached sexual maturity. It ran away five times. Each time the local animal control officers had to track it down. “Finally, they called us and begged us to take it,” deMaar says, shaking his head. Stones and deMaar want the pet owner to provide some money for the bobcat’s care. So far, they’ve had no luck. Says deMaar grimly, “We are more of an unsubsidized humane shelter than an actual zoo.”

Back at the Gladys Porter Zoo, Jerry Stones does his best to convince the public that buying an adorable tiger cub is a bad idea. Unfortunately for Stones, the idea still hasn’t caught on. So Stones is back on the phone trying to find homes for seized and abandoned tigers and lions. “I’m not advocating that these animals be put down,” he says. “But they are living a life of hell—it’s not a good life. They are being put out in five-acre pens and shot in canned hunts or being left tied up their entire lives. It’s no way to treat a living creature.”
Read the complete story here.

Saturday, May 17, 2008

48 Hours Mystery Features Brownsville

I copied this CBS press release from bloggin' all things brownsville. I'm going to try and remember to watch this tomorrow night.

"A HUSBAND’S OBSESSION MAY HAVE LED TO HIS OWN DEATH,
BUT A JURY SHOCKS EVERYONE WITH ITS ASTONISHING DECISION…

“48 HOURS MYSTERY,” SATURDAY, MAY 17

From high school sweethearts to doting parents of three, Traci and Scott Rhode, seemed a devoted couple, even after 20 tumultuous years together. Then on October 15, 2003 the life they knew together ended when Scott suffered a gunshot wound to the head in the couples’ Brownsville, Texas home. And for Traci the ordeal was just beginning.

With Scott’s death, the couple’s picture perfect image was shattered. Traci described Scott as a troubled man, so possessive and paranoid she was cheating on him, that he moved the family several times. It was this dark side, she maintains, that led him to shoot himself.

Investigators believed differently. With Traci’s questionable relationship with a co-worker and Scott’s meeting with a divorce attorney, the case had all the ingredients of a classic murder plot – a love interest, a motive and the suspicious behavior of a pretty, young wife.

Was this a murder made to look like a suicide? To authorities it seemed as such and after a tireless two-year investigation, Traci was arrested in the death of her husband, which she says was a suicide being made by the prosecution to look like murder.

Brownsville was a community divided, some crying for mercy, others crying for blood. And Traci’s fate lay in the hands of the jurors, who were about to deliver a jaw dropping decision.

Harold Dow reports on 48 HOURS MYSTERY: "Point Blank," Saturday, May 17 (10:00-11:00 PM, ET/PT) on the CBS Television Network. This broadcast is produced by Liza Finley. Judy Tygard is the senior producer and Al Briganti is the executive editor. Susan Zirinsky is the executive producer.